During this period of considerable design creativity the Coles  described their work as “Coming from The Rye Design Group- under the tutelage of Jack Cole”; two other popular designs of this period were the complex 17th century design  Lambeth, a hand painted chequer board with stars inside a latticework and the more contemporary Mosaic, both were used for coffee sets and various items of tableware.

 

 

Standard Mosaic mugs being painted by Pam Goddard and Madge Bottomley mid 1950s

 


Miss Simplicity  a charming set of bottles from the Rye Design Group in the 1950s


It was during this same period that ranges of vases, jardinieres, lamps, bowls & dishes  were being painted in the Scraffito textures for which Rye became particularly known.

A method of applying colour all over the unfired glazed area which was then scratched through to the white glaze beneath ,or conversely the white was scratched and the coloured oxides applied over the top.


Textured dishes1950’s

However, it was the from the late fifties that Rye began to concentrate on complete ranges of tableware; starting with the Cottage & Candy stripes peasant floral designs which were then joined in the early sixties by the more sophisticated  dark metallic Cadborough Brown range and later by its pale counter part Rye Stone.


Cadborough Brown Coffee ware early 1960’s

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